Directed by a man who does not even have a Wikipedia page yet, Michael Sarnowski’s Pig is not One of the best films of 2021; It’s too much. For years from now, Pig has been recognized as a film that introduced the full power of Nicholas Cage as a performer to an entire generation and is reminiscent of what the previous generation has always known.

For those of us who grew up in the 90s and early 2000s, for zoomers, it may seem ridiculous to know that these are the kids who only find classic songs after they become popular on Instagram reels — the cage is not so much. నవ్వులమూట. He appears to be not only the award-winning successor of Hollywood royalty, but also an actor who spent a whole decade in self-imposed exile, working on a director-to-DVD project that could raise funds from the Russian oligarch.

But this is not the cage we are familiar with when we grow up. He is not a winner An Oscar Won another nomination for leaving Las Vegas and for adoption. This is the case that inspired the entire subplot in an episode of the television sitcom community, where film geek Abed Nadir tried to unravel the great mystery behind them — Nicholas Cage: Good or Bad?

There are no right answers. Yes, the cage is terrible in some films, but here’s the thing; He never gives a bad performance of the good ones. It almost seems like he has a sixth sense, which kicks in the second he reads the script. At that point Cage decides whether to go to Fulham — no pun intended – or control himself. The remarkable thing is that he is equally skilled in both.

The bad Nicholas Cage movies are not bad because he’s the bad guy in them — they were horrible anyway. If anything, his vague performances in The Wicker Man and Drive Angry made them even more interesting without any rights to those images. For example, would you even care about cage faces not plastered on their posters with the worst titles like Kill Chain, Primal and Between Worlds? Probably not. But with the curiosity of what kind of manic mood he is in, people also look at his direct-to-Walmart titles.

Undoubtedly viewers can watch the trailer for Pig and it makes a lot of sense that this is just another of his bailout movies. The actor was burdened with terrible debts, his Mint Superman comic, Dinosaur Skull and many more buildings did not alleviate his hardships. Based on the trailer alone, to be fair, it identifies him as ‘Academy Award winner Nicholas Cage’ — you might believe that Pig is a sort of bunker John Vick ripoff, in which a Hillbilly monk attacks wildly across town. His beloved truffle hog was kidnapped by nasty elements.

The premise is reminiscent of The Cycle Thieves’ realism and the fantasy of Grimm’s fairy tale. But Pig only attracts you with its vengeance plot setup to get you in the head with the unpleasant emotion of the Pixar movie.

While it was not immediately clear that the pig that Cage had been doing on a bi-monthly basis for the past 10 years was nonsense, the film was deliberately problematic for at least an hour. From the restaurant scene.

People who have seen the movie know exactly what I am talking about. About half the time, Rob and his sidekick take Amir to the Slikest Restaurant in Portland (which belongs to Amir’s father). They heard that there were some new truffle dishes on the menu.

In this scene — perhaps the most devastating of the year — the layers were removed, not just on Rabb, but on the film itself. While Rob is fingering the fancy food in front of him — an attempt by Sarnowski and co – author Vanessa Black to mislead us into believing he’s uncultured — Rob is secretly studying its texture. He asks to see the chef. And when Rob confronts him about his missing pig, he meets him in silence. Then, Aamir encourages, “Tell him who you are.”

Table, now set. In his past life, before he went into exile, like Cage, we found out that Rob was the hottest chef in town. He left the grid to face the death of his wife. Pork is not about pork; It is a film about grief and trauma.

And in these 10-odd minutes, Cage put on a very impeccable performance, which, if he had not been nominated for an Oscar, would have been the biggest injustice of this kind since Sylvester rejected Stallone for Creed. When you expect him to let go, he pulls back. After putting the missing pork on the back burner for a moment, Rob Chefney — a former employee of Derek by his name — began to question why he had chosen to cook sincere dishes. The line in question sends poor Derek into an existential crisis.

“They’re not real,” Rob tends for the closeup. “You understand, right? None of that is true. Critics are not real, customers are not real. Because it is, ”he said, gesturing towards the dish he had eaten half before,“ not original. You are not real. ” By the end of the chat, Derek was limping and confused.

“We don’t have a lot of things to really care about,” Rob said, his eyes betraying his pain. He looks at Derek quietly, but your mind fills in the gaps: “Find what you care about and stay with it until the bitter end.” Rob, who broke into Derek as an expert CIA interrogator, asked, “Who has my pig?” And Derek, as expected, squeals. The scene refers to a ratatouille-inspired scene that comes at the end in which Rob adopts a similar strategy to change the person who is harming him. In both cases, his kindness shines through. Rob is a man who suffers from bitterness very easily, especially since life has hurt him. But he knew better. He knows what ‘original’ is.

Every time you sit down for a new movie, especially if you watch more than 300 movies a year and do this for a living, it is a kind of mystical experience. But too often, like life, movies have a tendency to frustrate you. Scenes like these, however, restore your confidence. If you have any doubts about the status of the film industry and the doubts you have raised over the years about where it will go, they will make you forget. For hours, you’re completely immersed in yourself — like a junkie chasing an adrenaline rush. The only difference is that it does not harm you; At the very least, you whisper with admiration and at best, you shout with joy.

The post credits scene is where we focus on the column, context, craft and characters that separate the new releases each week. Because once the dust settles there is always something to stabilize.

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