Don’t Stop Believing: David Chase returns to The Sopranos with many of Newark’s Saints

David Chase revolutionized television with his monumental mob opera, led by James Gandolphini’s Tony Soprano, ushering in a new era of hope on the small screen. But what Chase really always wanted to do was make movies.

“That’s my whole goal. My whole life has been the same,” Chase said, but spent his career on TV before creating Sopranos (The Rockford Files, I Will Fly Away). Cinema, cinema. “

“There was some kind of cheesy image on TV,” he continues. “It’s all about advertising, I guess. A machine that delivers sales pitches – all these years, really. It’s always had that feeling. But theoretically, a television appliance can beam anything to you. Great thing. Things people still not even dream of. Used for advertising.

Since becoming a sopranos blockbuster, Chase has previously made a film, Undertaking 2012 Rock-and-Roll Upcoming Story “Not Fade Away”, which made a clear connection to the music for his film production. Now, he is back with The Money Saints of Newark, due to a strategic change during the Iron Epidemic due to the Warner Bros. movie, which will play in theaters as well as on HBO Max as soon as it opens on Friday. It is tempting to quote Godfather Part III: “Only when you think you’re out.”

“When I was in film school in 1969 and ’70, my friends and I reached the top,” Chase said. “We talk about it: ‘You know, one day, man, the movies are coming into your house. Isn’t it cold?’ Well, it’s not so cold. It’s good that you see them in the theater. ”

But the big screen or, why, Chase, 76, why would he return to a world so tightly finished? He seemed to have left The Sopranos at the Holsteins restaurant, finally calling Sopranos co-author Matthew Weiner TV the equivalent of smashing your guitar.

“I need it,” Chase explained on Zoom. “I think I need it personally. I mean not financially. I want it now. I wanted to work on something I knew I was going to produce.”

Fourteen years after Journey heard the final notes of The Sopranos, Chase returned to North Jersey – partly without necessity, partly because he still likes to write these characters. Many Saints of Newark, however, rewind The Sopranos to Newark and a different generation of New Jersey mafias in the late 60s and early 70s.

Many saints of Newark Michael Gondolphini, left, and Alessandro Nivola among many saints in The Newark. (Photo: Warner Bros.)

Most familiar with young faces are: Corrado “Junior” Soprano (Corey Stoll), Livia Soprano (Vera Formiga), Silvio Dante (John Magaro). But the main character is fresh: Alessandro Nivola Dickey as Molthishanti, legendary Christopher Moltisanthi (here just a baby) is told about the father. Dickey carries teenage Tony Soprano (Michael Gandolphini, James’ son) under his wing.

“When we started shooting David gave me a piece of advice: ‘I do not care what anyone says about Dickey in the series because they are all liars,’ Nivola said.

Despite the countless connections and callbacks to The Sopranos, fans will be amazed at how much The New Saints of Newark has uncovered new narrative territory. It was against the racial unrest in Newark and the chaos of the era. Leslie Odom Jr. played a key role.

“Lawrence Connor and I wanted to make a gangster movie. We didn’t want to make the original story,” Chase said. “Actually, I don’t know what the ‘original story’ is. I did not hear the word until we got into film marketing. “

Many Saints of Newark Many of Newark’s Saints have received positive reviews. (Photo: Warner Bros.)

After writing the film with Connor, Chase decided to direct before health issues forced Sopranos to appeal to veteran Alan Taylor. Since helming for several “Sopranos” episodes, Taylor has traveled to shows such as Game of Thrones and the big-budget spectacle Thor: The Dark World and Terminator Genesis. He is eager to return to a more familiar fantasy world.

“It’s a certain mentality, a certain set of questions, a certain attitude towards human psychology. All the elements that drove this show seem to be driving this film,” Taylor said. Every character is trying not to be the character they are supposed to be. ”

The most exciting thing about Newark’s Saints is that it revolves around the grammar that tells the story of The Sopranos: the family is sketched against an American background; The old movie (Key Largo) in the background is playing in the moment; Sometimes bursting music queues. Chase and Taylor were selected for the soundtrack without a score, with Gil Scott-Heron appearing prominently.

Like the movie, like the show, is full of violence and genre, in Dickey Moltinshanti and others, trying to get rid of family DNA, trying to overcome your own monsters, trying to re-exist – perhaps in vain – to find something worthwhile.

“I read things that said The Sopranos’ got darker and darker,” Chase said. “Done? I do not know. 9/11 happened, so it got darker. The other day I’m talking to someone, Jim may have fallen even darker as he was leaving. It could all be true. .

Chase has been fighting for years for a Sopranos sequel that became almost impossible when James Gandolfi died in 2013. (Tony Soprano himself once said: “‘Remember when’ is the lowest form of dialogue.” For acting.

After three auditions, Chase cast Michael Gandolphini as a short, soft version of the character that his father portrayed. By then, the decision seemed obligatory.

“Being in this world, playing this role, it connected me to my father as an actor – as an actor,” Michael Gandolphini said. “He spent nine years guessing and understanding a little more of what he experienced, and I’m really proud of him for that.”

For Nivola, the scope of the project was opened only after he auditioned. His opening scenes are hidden from the common Sopranos, the names are changed and that does not mean that Dickey is also the main character. A few weeks after meeting Chase and Taylor, it was only revealed to Nivola after an email was sent to the script on the plane.

“By the time I landed, I realized it was a much bigger deal than I thought it would be,” Nivola said. “The moment I realized that this was the role I had been looking forward to for 25 years in my film career.”

Michael Gondolphini, Many Saints of Newark Michael Gondolphini plays Tony Soprano, who immortalized his late father, James Gondolphine. (Photo: Matt Lycari / Invision / AP)

Many Saints of Newark can produce its own sequels. “Will? I don’t know, “said Chase. He now surrounds himself and is a little immersed with the small-screen landscape he helped build. Most likely, he did not continue. He liked “The Queen’s Gambit”, but most shows did not appeal to him, he said. Chase watches old movies on the Criterion channel instead. Contemporary mainstream movies, he sees as very “dumb”.

“Yeah, it’s nice to see superheroes, but we live in a cartoon universe. Except we’re not,” said Chess, who has been sticking to the Donald Trump presidency on television news. “Something else is happening that we have not seen.”

But it is also clear that Chase is still looking for the big screen, even though his chances are slim. He is working on the script he wants to direct. He never made his peace as he was never identified with television. But he takes it.

“I mean, yeah. What are you going to do about it?” Chase said. “This is not the worst thing that has ever happened.”


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